Antje Rauwerda

Associate ProfessorEnglish

Antje Rauwerda is an Associate Professor of British and Postcolonial Literatures. She was raised in Canada, Singapore, Texas, and the UK; during her college years she alternated between Vancouver (B.A. in international relations from University of British Columbia, B.A. in English from University of Victoria) and Ghana where her parents were living at the time. She earned an M.A. and Ph.D. in English from Queen’s University in Kingston, Ontario, and worked at St. Mary’s University in Halifax, Nova Scotia before coming to Goucher. Antje teaches contemporary international novels, postcolonial theory, freshman writing, travel writing, British and early British literature, and other international works. Her recent academic work has  been on third culture literature (the literature produced by authors who grew up as expats rather than in their home nation). She has a book and three articles published on the topic, and she also maintains a blog on third culture literature: http://thirdcultureliterature.blogspot.com/. Additionally, Antje has an unpublished outsider novel about Baltimore lurking on her hard drive.

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Research, Scholarship, Creative Work in Progress

Currently working on: A novel (Slow Time) set in Govans, Baltimore, and an article on third culture nationalism.

Publications

The Writer and the Overseas Childhood: The Third Culture Literature of Kingsolver, McEwan and Others. (Monograph) July 2012, McFarland & Co.

Articles in Refereed Journals

  • 2019 “Cloud Theory: Third Culture, Adolescence and Yann Martel’s Self.” Submitted toDiaspora in January.

  • 2016 “Third Culture Time and Place: Michael Ondaatje’s The Cat’s Table.” Mosaic3 (Sep. 2016): 39-53.

  • 2016 “Katniss, Military Bratness: Military Culture in Suzanne Collins’ Hunger GamesChildren’s Literature 44 (2016): 172-191.

  • 2009 “Not Your Typical ‘Diaspora” or ‘Third World Cosmopolitan’: Third Culture Literature.” 25. 3 (September 2010): 16-23.

  • 2008 “Exile Encampments: Whiteness in Alexandra Fuller’s Scribbling the Cat: Travelswith an African Soldier.” The Journal of Commonwealth Literature. 44.2 (2009): 51-64.   

  • 2007 “White Man Burnt Black: Michael Ondaatje’s The English Patient.” In-Between: Essays and Studies in Literary Criticism (2005) 14.1: 13-24.

  • “Whitewashing Drum Magazine (1951-1959): Advertising Race and Gender.” Continuum (September 2007) 21.3:  393-404.

  • 2006 “Multinationality and Layers of Mouse in Peter Carey’s The Unusual Life of Tristan Smith.” Antipodes (December 2006): 117-127.

  • 2005 “‘Angelicdevilish’ Combinations: Milton’s Satan and Rushdie’s The Satanic Verses.” The Journal of Postcolonial Writing 41.1 (May 2005): 94-107.

  • “White Whipping Boy: Simon in Keri Hulme's The Bone People.” The Journal of Commonwealth Literature2 (June 2005): 23-42.

  • 2003 “East, West: Rushdie Writes Home.” South Asian Review2 (2003): 133-148.

  • 2001 “Naming, Agency and ‘a tissue of falsehoods’ in The History of Mary Prince.” Victorian Literature and Culture (2001): 397-411.

  • 1998 “Upsetting an Already Unquiet Bed: Contextualizing Dorothy Livesay’s ‘Zambia’.” Canadian Poetry 43 (Fall/Winter 1998): 103-125.

Conference Papers & Panel Participation

  • 2019 “Singapore, London, New York: Crazy Rich English and the How the Empire Talks

  • British Commonwealth and Postcolonial Studies Conference (BCPS). Savannah, Georgia. Feb 15-17, 2019.

  • 2017 “Cloud Theory: Third Culture Dislocation as an Unrooted Identity.” Postcolonial Studies Association, London, England. September 18-20, 2017.

  • “Midnight’s Children Vs. The English Patient: Time Vs. Place.” British Commonwealth and Postcolonial Studies Conference (BCPS). Savannah, Georgia. Feb 17-18, 2017.

  • 2016 “Multiple Points of View as a Product of Multiple Identities: DBC Pierre’s Ludmila’s Broken English as Third Culture Literature.” British Commonwealth and Postcolonial Studies Conference (BCPS).  Savannah, Georgia.  Feb 26-27, 2016

  • 2015 “Many Selves at Once in Third Culture Literature.” Families in Global Transition (FIGT), Tyson’s Corner VA, March 6-8, 2015.

  • 2013 “Only at Home in Fiction: Reading Michael Ondaatje’s Novels as Third Culture Literature.” CoHaB. Diasporic Constructions of Home and Belonging. Muenster University, September, 2013.

  • “Michael Ondaatje’s The Cat’s Table, Visual Images and Third Culture Kids.” Canadian Association of Commonwealth Language and Literature Studies (CACLALS). University of Victoria, June 2013.

  • “Time, Place and Third Culture Memory: Novels that Address Jumbled TCK Experience.” Families in Global Transition (FIGT). Washington DC, March, 2013.

  • 2010 “Naughty Gods, Naked Devils: John Milton’s Paradise Lost and  Salman Rushdie’s The Satanic Verses.” Southwest /Texas Popular and American Culture Association Regional Meeting. Albuquerque, NM, Feb 2010.

  • 2008 “Neither Postcolonial or Cosmopolitan: The Life of Pi, The Flame Garden and ‘Third Culture Kid’ Crises of National Faith.” Canadian Association of Commonwealth Language and Literature Studies (CACLALS). University of British Columbia, June 2008

  • 2007 “It feels like I dreamt it: Fiction, Global Nomads and Memories of Home.” Families in Global Transition (FIGT). Houston, March .

  • 2006 “The Proliferation of Home: Alexandra Fuller’s Scribbling the Cat.” Association of Canadian College and University Teachers of English (ACCUTE). York, May.

  • “Home’s Out from Under Me: Chris Abani’s ” Canadian Association of Commonwealth Literature and Language Studies (CACLALS).  York, May.

  • “Home’s Out from Under Me: Displacement as an in situAmerican Cultural Studies Association (ASCA). George Mason, April.