"The work of Daniil Kharms and his peers was as far from the restrictions applied by [Stalinist] bodies as possible. As a person, Kharms was at the forefront of this rebellion, known throughout intellectual circles for his outlandish personality and feats. For example, he was known to act out performance art pieces wherein he would read Gogol's Nevsky Prospekt lying down on an armoire, dressed as Sherlock Holmes. Another documented instance involved Kharms walking toward Nevskii Prospect in his bedroom slippers, an enormous cross hanging on his naked chest, carrying a butterfly net. His contemporary and close friend, Alexander Vvedenskii, once said, 'Kharms is art,' and indeed, his very goal in life seemed to be to rattle the ordinary and to weave artistry out of mundane scenes of Soviet public life both through his art and his persona."

-- Colin Breen

Randi Turner, Yellow Fever

Jeff Bessen, Homology and Convergence in the Evolution of the Eye

Weston Kulvete, "The Bitter Dream": Internalized Racism in the Passing Narratives of the Harlem Renaissance

Megan Rucker Livingston, Utopia Within Dystopia: Stand on Zanzibar as Speculative Postcolonial Literature

Dorie Chevlen, Youngstown

Colin Breen, Beyond the Master Plot: Exceptional Literature in Stalin's USSR

Samantha Haas, Orphans in South Africa and the Stigma of HIV/AIDS

Christina Murphy, HIV/AIDS and Income Generation: The Use of Microfinance Initiatives as a Prevention Strategy in Sub-Saharan African Refugee Camps

Ben Mueser, Individual Responsibility in Aristotle's Politics

Tim Proser, The Core of Us: Properties of the Socialization Process and the Influence of Social Class Therein

Maya Ward, De engaños y valores olvidados

Lila Scott, La homosexualidad como enfermedad mental

Goucher College Website
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